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'Florida Project 인터뷰 영상과 자막

by 인사이드아웃 2018. 3. 24.

'Florida Project' Star Initially Thought it Was a 'Sick Joke' When Director Reached Out to Her



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대화 스크립트 적어봤습니다. ~ 감독의 말은 외워두면 쓸모가 많내요
Bria는 진짜 생각 없는 애처럼 보입니다. ^^ 영화모습이 연기가 아니였어~

I had never been on a set I didn't know how anything works 
so literally like the first two weeks I was just asking like 100 questions today
I wanted to what's that for like what does this do and it was just so cool to have such a good cast
and crew around who were just so helpful to teaching me everything I wanted to know 
it was really good


we really went about it unconventional way
i mean Willem came to us in the conventional casting way
but then we street casting we uesed instargram to define Bria
who's runner full to see you know people 
you know seasoned actors working with first-timers
 working with non professionals it was a big mashup that it ended up habving a really cool very nice chemistry

Shawn reached out to me and through instargram and then
we emailed and talked on the phone 
but for the longest time I thought It was like a joke
like someone was playing a sick joke on me and
I was going along with it when I first realized it was like actually shawn and
he was serious I was kind of like thrown off 
because you would never think that you would get such an opportunity like this just
through social media it's really crazy where did


I think somebody that i was following reposted one of her posts 
I looked at it there was that really carefee atiitude 
that I was looking for in the haley character 
and so I kept going back to her page saying you know 
I wish we could find somebody in Hollywood  like this 
and then eventually 
somebody just saild well why don't we just ask Bria
weather she want to try to audition and
we reached out she came down to Orlando 
she auditionded with the kids who would we had already cast 
and theses two just I mean I was shot  like a little test audition tape 
and the chemistry was already  
there of course
I was looking for a maternal relationship 
but also because Hayley is such a young mon in the film
I was looking for a sibling relationship as well
and these two jsut were acting like sisters

from the minute they met each other and there was 
that  I know  there was something very special there





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https://www.irishtimes.com/culture/film/the-florida-project-review-the-kids-are-more-than-alright-1.3284167

Nothing more dooms a film than hyperbolic reviews. So I will choose my words with caution. Sean Baker’s follow-up to the excellent, innovative Tangerine is among the best films ever made about childhood. It bears comparison with Truffaut’s The 400 Blows, Bergman’s Fanny and Alexander and Linklater’s Boyhood. The picture deals with parental irresponsibility so extreme it borders on criminal neglect, but The Florida Project remains stubbornly humanistic and openhearted throughout. Making creative use of an ingeniously chosen location, it reveals an America that we’ve never seen before. One familiar face has never been better. The new discoveries burn up the screen. Is that sufficiently couched?

Baker has moved from the transgender outsiders of West Hollywood that so energised Tangerine to a weird crumbling Neverland on the outskirts of Disney World in Orlando. Painted in brash fuchsias and eye-watering maroons, the rundown motels (boasting vainglorious names such as the Magic Castle and the Futureland Inn) house vagrants, meaner tourists and families with nowhere else to go. Our heroes are Halley (Bria Vinaite), a recently unemployed stripper, and her irrepressible, six-year-old daughter Moonee (Brooklynn Prince). Halley is, in many ways, an appalling pain: loud, unruly, disorganised, uninterested in sane parenting. But she is endlessly hilarious and there is never any doubt that she loves her daughter. After all, they’re both kids.

The closest thing to an adult in this pistachio mayhem is Bobby (Willem Dafoe), the harried manager of the Magic Castle. He acts as buffer between the raucous tenants and his understandably concerned employers. He negotiates with social services. In one powerful scene, he escorts a paedophile away from the motel with a diplomatic ingenuity that keeps the children in happy ignorance.